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. black cashmere .
I grasp it and hold it to my face; so soft, so black, so ... thought ... lost. “Thank you, thank you so much.” The face across the counter is florescent lit. “Sure” and he’s a white orb blur as I lose myself in the weave again.
I fold it neatly, standing there at the sea green Formica counter. The companion scarf’s modern blue and black of my namesake’s tartan, almost as kind to my sense of touch as the cashmere of the coat, I drape over my head and wrap around my face. It is the coat that is my concentration.
The call had come the day before “We have … At your soonest opportunity … Thank you.” IAD, an eight-hour round trip that a friend had been kind enough to make, carrying me to this lost piece of my last hope. I’d jittered and trembled on the first side of the journey; silent but in constant motion. Body movements that my hope would have been unable to restrain herself from placing a hand upon me to stop, to calm or order me more neatly.
Folded, I hold tight; there are sublimated and transferred tears running freely at this reunion. “Come on girl, we’ve got a long trip back; let’s grab a burger at that Five Brothers on the access road okay?” I can only nod, I’m not hungry but I know my friend is.
Back in my shared flat it’s night now; I stare at the form of it laid out on my tiny Ikea couch/futon. The arms lay spread out, the glimmer and reflection of the large black buttons, the diagonal seamed folds of the exterior pockets; its gesture shape of ‘what-CAN-be-done?’ abandoned surrender. I’ve held it to my face in search of some sense of place that might still be held in the silk lining. I’ve shrugged it on (it, seeming even larger than before), and remembered having worn it in both directions, going and in numbed escaping.
There remains no scent of the wardrobe it shared with her dresses and tops and tailored trousers. Its careful woven fibers hold no haunting presence of her touch from when she’d searched for the envelope she desired so much. A torrent rush of memories and sensations seizes, tumbling me ‘til, off balance, I clutch the back of the Good Will five-buck chair I’ve bought. ‘… red and black … you are decorating this space in memories bitch …’ I nod and smile at that, the fashioned presence of it all.
There had been a promise made, among the many; one that in her own rush toward recognition of reality she had left unkept. Her run to separation had meant it would be unmet; and my own recognition, and surrender, and urge to hurt myself had led me not to make the demand that became regret. I run my hand across the welcoming night of the coat’s color. A knife edge glint catches, drawing my eye and my fumbling needy fingers to tip touches; index and thumb I explore, grip, and capture.
A single strand of shoulder length, trapped and carefully lifted. Its texture and formation betrayed in strong blazing black … hers. Lifted and placed carefully on a sheet of American letter-sized ink jet ultra-white printer paper; it curves and one section has that un-straightened slight curl occurring. That unkempt, first thing in the morning, not going out today, no contacts in the eyes, pajamas for the third day running, perfection to it. Yes, the color is not her natural hue but issued forth from a bottle; but that too is her taken form.
Carefully I fold the paper’s length in half over the strand. I hold it to my cheek and mouth. The coat, I hang properly buttoned and place it in the closet to stand at attention beside my LipService™ leather. This single bit of her presence I put safely in the frame behind the only photo of her I’ve permitted myself to display; against agreements made. I am that sentimentalist, always.
.April ending.
.April ending.
Twitter™ is also like this, her search through detritus layers of life; linear in procedure. Time as lines, the TL: a wanted sequence for us to cling to even knowing the quantum cosmology of particle and wave mechanics. Twitter does not randomly present us. Neglecting even the theme sequence groupings which is a more likely portrayal of our natures.
It is left to us to paint our own contrails.
Across her words lay themes, not necessarily unique or original, but hers. An underlying hum of message machinery, not to be heard but sensed, felt.
The longing for the extraneous 'power' to which we cling, adhere, our desire fo
. backgrounds .
. backgrounds .
eat me play me
.
"And it feels as though God has abandoned you … in a stark place."
-A. Christie-
.
.
An arrangement of pieces, choreography of accidental encounters each of which denied them a presence or indicated any possible progress.
.
I do not command, I obtain.
.
She'd belittled the Plath of me, that small measure which i yet adored; that then, became a tipping point in our conjectured inevitability.
.
in crush
you lick
the soil soul of
my backgrounds
.
I'll make you quiet.
.
slicing through the young
smiling
alcohol ghost
.
I'll make you run.
.
driv
.upon surrender.
.upon surrender.
.
... only she knows ...
.
The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.
E.Bishop
.
i sang
.
touch stones without remark tumbled
one after another
pathway footsteps
unnoted
one
after
another
no clack of disapprovals shed
one after another
creek bed’s
surrender
ocean’s
slickened
staid
.
as though i were an insult though they never spat me out
as though i were a crime they'd committed in dead of night
as though i were several different outfits now out
.last love.
.last love.
.
Why?
because i want to see beautiful things
think beautiful things
dream beautiful things
.
.
Oh they're running t'old steam engine tour train through t'valley today. God i wish i was having coal smoke and burning cinders blowin in my face. *picturing the screaming flaming tourists beating each other*
Fuck me with a jackhammer humans ARE the funniest damn creatures. Mom to six year old child "Hurry honey get that pretty summer frock on, we've got to catch the open air tour train!" Two hours later the scorched-hair tour family clambers offa the Old Timey tour train ... "Now wasn't THAT fun!"
And you know what REALLY ma
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I find myself, even when my profile and board lays vacant, the notification stacked sticky notes in the corner, opening your journals just to feel them. I don't always read but I look at your pictures, listen to your music. I open the page just to basque in the energy the page pushes through LCD screens, blue lit rooms, quiet nights. I'll fall asleep to your page open, words falling away unread or read.
Like a phone call where we lay without saying anything just the hum static, or rustle of sheets to know you are still there.